LUT Downloads

LUT files for on-set monitoring and color grading. Designed for use with files from the VENICE motion picture camera.

Made in partnership with Picture Shop

Cine Gear LUTs

Due to popular demand, here are the LUTs we designed around our Noir film set at Cine Gear Los Angeles.

Cine Gear Noir BW

A low contrast black and white LUT that allows you to see in the shadows.

Cine Gear Noir Teal

Features low contrast, is less saturated and allows blue and teal colors to pop.

BURANO

LUTs designed for the BURANO camera that match the internal LUTs

Burano Cool

Matches the internal LUT available in the BURANO camera

Burano Teal and Orange

Matches the internal LUT available in the BURANO camera

Burano Warm

Matches the internal LUT available in the BURANO camera

Burano Vintage

Matches the internal LUT available in the BURANO camera

Josh Pines Family of LUTs

This collection of LUTs was designed for the Sony VENICE 2 by legendary color scientists Josh Pines (Saving Private Ryan, Forrest Gump, The Revenant) and Chris Kutcka (Kill Bill, Pirates of the Caribbean), and colorist Jason Fabbro (Captain Marvel, Thor:Ragnorak, Ready Player One).

Lo Con Base LUT

The Lo Con Base LUT is a low-contrast base LUT that's intended to be modified and graded. It offers a low-contrast starting point and has the S-curve built into it. This base LUT is designed for DITs and DPs who want to create their own LUT or look development for each project.

Hi Con LUT

This is the high-contrast version of the Lo Con Base LUT.

50-50 LUT

This is the Goldilocks version of the LUT trio with more contrast and saturation than the Lo Con Base LUT.

Look 1

Developed by Picture Shop Senior Colorist Jason Fabbro (Captain Marvel, Thor:Ragnorak, Ready Player One), this look was created using the Lo Con Base LUT. It offers slightly more contrast and saturation, while the reds and highlights have been pulled down to look less digital.

Look 2

Also developed by Jason Fabbro, this look was also created using the Lo Con Base LUT. It offers more warmth to skin tones in addition to added contrast and saturation. Like Look 1, the reds and highlights have been pulled down to look less digital.

Josh Pines HDR LUTs

HDR versions of the Josh Pines family of LUTs created in the Rec. 2020 PQ color space.

Lo Con Base LUT

The Lo Con Base LUT is a low-contrast base LUT that's intended to be modified and graded. It offers a low-contrast starting point and has the S-curve built into it. This base LUT is designed for DITs and DPs who want to create their own LUT or look development for each project. 

Hi Con Lut

This is the high-contrast version of the Lo Con Base LUT.

Look 1

Developed by Picture Shop Senior Colorist Jason Fabbro (Captain Marvel, Thor:Ragnorak, Ready Player One), this look was created using the Lo Con Base LUT. It offers slightly more contrast and saturation, while the reds and highlights have been pulled down to look less digital.

Look 2

Also developed by Jason Fabbro, this look was also created using the Lo Con Base LUT. It offers more warmth to skin tones in addition to added contrast and saturation. Like Look 1, the reds and highlights have been pulled down to look less digital. 

Tony D’Amore Collection of LUTs

Picture Shop Senior Colorist and Director of Creative Workflow Tony D’Amore (Fargo, Elementary, Daredevil, Mayans MC) has developed these LUTs designed specifically for the Sony VENICE cameras.

D’Amore Daylight

 Designed by Picture Shop Senior Colorist and Director of Creative Workflow Tony D’Amore (Fargo, Elementary, Daredevil, Mayans MC), this daylight base LUT cools off the blacks and warms up the highlights to give better color separation off the sensor so the image is a little closer to what the DP’s naked eye might see on-set. Then during the grade this base LUT provides a better starting point which saves time and opens creative possibilities.

D’Amore Style

The look LUT pushes the color separation a bit further than the daylight LUT by adding a warm shift to the highlights and mids for rich skin tones; then I’ve offset the warm shift by cooling off the blacks to help maintain good color separation.

D’Amore Tungsten

This is tungsten version of D’Amore’s Daylight LUT.

Picture Shop Look Library

From Picture Shop colorists Anne Boyle, Doug Delaney, Jason Fabbro, Maxine Gervais, and Sparkle.

Picture Shop Look Library

Download all 22 looks in the Picture Shop Look Library for Sony VENICE. Explore and download individual looks from the collection below.

Picture Shop Look Library: AB01 Cool FPE

COLORIST: Anne Boyle

Includes .art and .cube files

Picture Shop Look Library: AB02 Cool d65

COLORIST: Anne Boyle

Includes .art and .cube files

Picture Shop Look Library: AB03 Warm FPE

COLORIST: Anne Boyle

Includes .art and .cube files

Picture Shop Look Library: AB04 Warm d65

COLORIST: Anne Boyle

Includes .art and .cube files

Picture Shop Look Library: AB05 Aged Tinted FPE

COLORIST: Anne Boyle

Includes .art and .cube files

Picture Shop Look Library: AB06 Aged Tinted d65

COLORIST: Anne Boyle

Includes .art and .cube files

Picture Shop Look Library: DD01 Classic FPE

COLORIST: Doug Delaney

Includes .art and .cube files

Picture Shop Look Library: JF01 Fogged Color Pull FPE

COLORIST: Jason Fabbro

Includes .art and .cube files

Picture Shop Look Library: JF02 Cool Color Push FPE

COLORIST: Jason Fabbro

Includes .art and .cube files

Picture Shop Look Library: JF03 Silver Color Pull FPE

COLORIST: Jason Fabbro

Includes .art and .cube files

Picture Shop Look Library: JF04 Color Push d65

COLORIST: Jason Fabbro

Includes .art and .cube files

Picture Shop Look Library: JF05 Super Silver Color Push d65

COLORIST: Jason Fabbro

Includes .art and .cube files

Picture Shop Look Library: JF06 Cool Push d65

COLORIST: Jason Fabbro

Includes .art and .cube files

Picture Shop Look Library: MG01 Golden Lush FPE

COLORIST: Maxine Gervais

Includes .art and .cube files

Picture Shop Look Library: MG02 Golden Lush d65

COLORIST: Maxine Gervais

Includes .art and .cube files

Picture Shop Look Library: MG03 Grit Cold FPE

COLORIST: Maxine Gervais

Includes .art and .cube files

Picture Shop Look Library: MG04 Grit Cold d65

COLORIST: Maxine Gervais

Includes .art and .cube files

Picture Shop Look Library: MG05 Silver Sat FPE

COLORIST: Maxine Gervais

Includes .art and .cube files

Picture Shop Look Library: MG06 Silver Sat d65

COLORIST: Maxine Gervais

Includes .art and .cube files

Picture Shop Look Library: SA01 Warm FPE

COLORIST: Sparkle

Includes .art and .cube files

Picture Shop Look Library: SA02 Cool FPE

COLORIST: Sparkle

Includes .art and .cube files

Picture Shop Look Library: SA03 Golden FPE

COLORIST: Sparkle

Includes .art and .cube files

Sony Collection

LUTs to process Sony S-LOG 3 to standard color spaces

SONY: Slog3-S-Gamut3.Cine To s709 V200.cube

SONY: Slog3-S-Gamut3.Cine To sP3DCI V200.cube

SONY Slog3-S-Gamut3.Cine To sP3D65 V200.cube

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