VENICE 2
Sony’s flagship full-frame digital cinema camera
The VENICE 2 builds upon the strength of the original VENICE with new features including a compact design, internal recording and the option for two different sensors: the newly developed full-frame 8.6K sensor or the original 6K VENICE sensor. The VENICE 2 also inherits popular features from the original VENICE including color science, Dual Base ISO and 8-stops of built-in ND filters.
The VENICE 2 Extension System is now available and enables productions the ultimate flexibility. It allows you to separate the sensor block from the camera body - up to 40 feet away! It’s the perfect setup for handheld, gimbals, or for driving sequences.
Cinematographers on VENICE 2
Features
16 Stops Dynamic Range
Dir. of Photography Pete Konczal ASC, Aether Films' "Cowboy Currency"
TOOLS
Natural Skintones
Dir. of Photography Matthew Sakatani Roe, "Tonight We Ride"
Shot on VENICE
Since 2017, the Sony VENICE and VENICE 2 have been used on more than 500 theatrical, broadcast, cable, and streaming releases
Shot on VENICE
Since 2017, Sony Cine Line cameras have been used on more than 300 theatrical, broadcast, cable, and streaming releases
800/3200 Dual Base ISO
Dir. of Photography Matthew Sakatani Roe, "Tonight We Ride"
Watch
Tonight We Ride – a VENICE 2 film
Cinematographer Matt Sakatani Roe (Purple Hearts) and camera operator Ryan Wood (Moon Knight, Yellowstone) capture the extremes of barrel racing in a way never seen before thanks to the VENICE 2 high frame rates and the Rialto 2.
A Ride with Rialto 2
Go behind the scenes of ‘Tonight We Ride’ a VENICE 2 film with cinematographer Matt Sakatani Roe (Purple Hearts) and camera operator Ryan Wood (Moon Knight, Yellowstone). The filmmakers showcase how they used the Sony VENICE 2 and VENICE Extension System 2 to capture barrel racing in a way that’s never been seen before.
Top Gun Maverick: One on One with Claudio Miranda ASC
Claudio Miranda ASC, Director of Photography, Top Gun: Maverick shares what it takes to capture the amazing aerial shots in Top Gun: Maverick. See how innovations like the Sony Venice help viewers experience what it's really like to be a Top Gun pilot.
Behind the Scenes of Avatar: The Way of Water with Russell Carpenter ASC and James Cameron
Dive into Pandora’s oceans with Cinematographer Russell Carpenter ASC, Producer John Landau, Chief Lighting Technician Len Levine, Director of Engineering Patrick Campbell, and Director James Cameron as they talk with Sony Cine about using the Sony VENICE to bring the alien world to life.
VENICE 2 Luts
Sony and Picture Shop have partnered to release a set of LUTs exclusively designed with the VENICE 2, Sony's flagship digital cinema camera. The new collection of LUTs was designed by legendary color scientists Chris Kutcka (Kill Bill, Pirates of the Caribbean) and Josh Pines (Saving Private Ryan, Forrest Gump, The Revenant).
Pines is Picture Shop's Chief Color Scientist. He has worked on color grading on dozens of Academy Award-winning movies, from visual effects shot on film to look development on projects shot with digital cinema cameras. Pines describes the series of LUTs and shares examples of the LUTs in action.
Rialto 2 Extension System
Behind the Scenes of "Tonight We Ride"
Technical Data
VENICE 2
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VENICE 2 with 8.6K image sensor
VENICE 2 6K image sensor
General
Power Requirements
DC12 V (11–17.0 V)
DC24 V (22–32.0 V)
DC24 V (22–32.0 V)
Power Consumption
(Condition: 12V DC Input, Temp 25°C without accessories)
(Condition: 12V DC Input, Temp 25°C without accessories)
Approx. 76W
(When recording X-OCN XT, 8.6K 3:2, 24fps)
(When recording X-OCN XT, 8.6K 3:2, 24fps)
Approx. 73W
(When recording X-OCN XT, 6K 3:2, 24fps)
(When recording X-OCN XT, 6K 3:2, 24fps)
Operating Temperature
0°C ～ 40°C
Storage Temperature
-20°C-60°C
Mass
(without lens, handle, VF attachment and accessories)
(without lens, handle, VF attachment and accessories)
Approx. 4.3 kg (9 lb 6.6 oz)
Approx. 4.2 kg (9 lb 4.2 oz)
Dimensions:
152 x 158 x 250 mm (WxHxD excluding protrusions)
Camera
Imaging Device
35 mm full size, single-chip CMOS image sensor
Imaging Device Pixel Count
50 M (total)
24.8 M (total)
Built-In ND Filters
Clear, 0.3 (1/2), 0.6 (1/4), 0.9 (1/8), 1.2 (1/16), 1.5 (1/32), 1.8 (1/64) 2.1 (1/128), 2.4 (1/256)
ISO Sensitivity
ISO 800, ISO 3200 (Dual Base ISO)
ISO 500, ISO 2500 (Dual Base ISO)
Lens Mount
PL Mount
E-mount (lever lock type, without supplied PL lens mount adaptor)
E-mount (lever lock type, without supplied PL lens mount adaptor)
Latitude
16 Stop
15+ Stop
Select FPS
5.8K 17:9 1–90 fps, 5.4K 16:9 1–90 fps, 5.8K 6:5 1–48 fps**, 8.2K 17:9 1–60 fps***, 7.6K 16:9 1–60 fps***, 8.6K 3:2 1–30 fps***
4K 2.39:1 1–12 fps, 4K 17:9/3.8K 16:9 1–110 fps 4K 4:3 1–75 fps**, 4K 6:5 1–72 fps** 6K 2.39:1 1–90 fps***, 6K 17:9/6K 1.85:1/5.7K 16:9 1–72 fps*** 6K 3:2 1–60 fps***
Recording
Recording Format (X-OCN)
X-OCN XT/ST/LT: 8.6K 3:2 (8640 x 5760): 23.98p, 24p, 25p, 29.97p 8.2K 17:9 (8192 x 4320): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p*, 59.94p* 7.6K 16:9 (7680 x 4320): 23.98p, 24p, 25p, 29.97p, 50p*, 59.94p* 5.8K 6:5 (5792 x 4854): 23.98p, 24p, 25p, 29.97p, 47.95p 5.8K 17:9 (5792 x 3056): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p 5.5K 16:9 (5452 x 3056): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
X-OCN XT/ST/LT: 6K 3:2 (6048 x 4032): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p 6K 2.39:1 (6048 x 2534): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p 6K 1.85:1 (6054 x 3272): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p 6K 17:9 (6054 x 3192): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p 5.7K 16:9 (5674 x 3192): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p 4K 6:5 (4096 x 3432): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p 4K 4:3 (4096 x 3024): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p 4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p
4K 2.39:1 (4096 x 1716): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p 3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
Recording Format (ProRes)
ProRes 4444/ProRes 422HQ 4K (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, QFHD (3160 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
Recording Format (Audio)
LPCM 4ch, 24-bit 48-kHz
Inputs/Outputs
DC Input
XLR-type 4pin (male)
Battery DC Input
Square-shaped 5pin connector
DC Output
12 V: Lemo 2 pin x 1
24 V: Fischer 3 pin x 2
24 V: Fischer 3 pin x 2
SDI Output
BNC x 4, (12G, 3G, 1.5G-SDI)
HD MONI Output
BNC x 1 (1.5G-SDI)
HDMI Output
Type A x 1
VF
LEMO 26pin
Audio Input
XLR-type 5 pin (female) x 1 (LINE / AES/EBU / MIC / MIC + 48 V selectable)
Internal mic x1
Internal mic x1
Timecode Input
BNC x 1
Genlock Input
BNC x 1
Timecode Output
BNC x 1
Remote
8 pin x 1
Lens
12 pin x 1
Lens Mount Hot Shoe
4 pin x 2, conforming to Cooke /i Intelligent Electronic Lens System and ZEISS eXtended Data
Network
RJ-45 type x 1, 10BASE-T, 100BASE-TX
USB
USB host, type-A x 1
Headphone Output
Stereo mini jack x 1
Speaker Output
Monoaural
Media type
AXS Memory A-series slot x 2
SD card slot x 1
SD card slot x 1
*X-OCN XT is not supported
**CBKZ-3620A/AM/AW is required
***CBKZ-3620F/FM/FW is required
**CBKZ-3620A/AM/AW is required
***CBKZ-3620F/FM/FW is required
This product contains pre-installed software and requires the purchase of license keys to activate some functions.
